diff --git a/combat.tex b/combat.tex
index 81fb4dfee40dc02211b4c1c3c1c7658c87e654e6..6a56d8b769fa7a4ed89f261d32da4b42f6aefad0 100644
--- a/combat.tex
+++ b/combat.tex
@@ -390,102 +390,6 @@ Weapons which were never made to be thrown, such as swords, axes, or most knives
\end{multicols}
-\section{\glsentrylongpl{fp}}
-\label{fate_points}
-\index{Fate Points}
-
-\begin{multicols}{2}
-
-\noindent
-At this point you might be wondering how anyone is going to survive past their first battle.
-6 or 7 \glspl{hp} is not a lot when the Damage is often $2D6$ or higher.
-\Glsentryfullpl{fp} provide a small safety-net to \glspl{pc}, at least for a little while.
-
-\input{config/rules/fate.tex}
-
-Being fated by the gods, the \glspl{pc} have some extra chances to live another day, so they begin each mission with their full allotment of \glspl{fp}.
-And since the gods love some more than others, the Charisma Bonus modifies the total.
-
-\Glspl{npc} can also store \glspl{fp}, but (unlike the \glspl{pc}), they start with none.
-However, if \pgls{npc} returns for another scene, they gain $1D6$ \glspl{fp} each time.%
-
-\Glsentrylongpl{fp} create a flow throughout the game's Damage, as \glspl{pc} can lose \glspl{fp} and \glspl{hp}, then regenerate their \glspl{fp}, and continue fighting with most of their effective `hit points' still available.
-For example, someone with 7 \glspl{hp} and 7 \glspl{fp} would have a total of 14.
-After a taxing battle, they might lose all \glspl{fp} and 4 \glspl{hp}.
-But after some \glspl{interval} of rest, they regain all \glspl{fp}, leaving them with 7 again; this places the \gls{pc} 10 Damage away from defeat.
-
-\end{multicols}
-
-\section{Fatigue}
-
-\begin{multicols}{2}
-
-\label{fatigue}
-\index{Fatigue}
-
-\noindent
-Fighting, running and swimming can really take it out of you, especially when wearing heavy armour.
-Characters gain \glspl{fatigue} for exerting themselves, and if they accrue too many then they will quickly start to become ineffective.
-
-\input{config/rules/fatigue.tex}
-
-\Glspl{fp} might inflict penalties because the character has 6 \glspl{hp} but gains a total of 8 \glspl{fatigue}, which results in a -2 penalty to all actions.
-
-\begin{boxtable}[lllllllllX]
-
- \multicolumn{10}{l}{6/6 \Glsentrytext{hp}} \\
- \Repeat{6}{\statDot & } \Repeat{3}{\statCircle & } \statCircle
- \\
- \Repeat{9}{\Square &} \Square
- \\
- \multicolumn{10}{l}{\glspl{fatigue}} \\
- \Repeat{8}{\XBox &} \Square & \Square \\
- \multicolumn{10}{l}{Penalty: 2} \\
-
-\end{boxtable}
-
-But it might also occur because the character has 4 \glspl{fatigue} and then Damage reduces them to only 2 \glspl{hp}, leaving them with a -2 penalty to all actions yet again.
-
-\begin{boxtable}[lllllllllX]
-
- \multicolumn{10}{l}{2/6 \Glsentrytext{hp}} \\
- \Repeat{6}{\statDot & } \Repeat{3}{\statCircle & } \statCircle
- \\
- \Repeat{2}{\Square &} \Repeat{4}{\XBox &} \Repeat{3}{\Square &} \Square
- \\
- \multicolumn{10}{l}{\glspl{fatigue}} \\
- \Repeat{4}{\XBox &} \Repeat{5}{\Square &} \Square \\
- \multicolumn{10}{l}{Penalty: 2} \\
-
-\end{boxtable}
-
-Characters may reach a maximum penalty of -5 due to \glspl{fatigue}, after which they fall unconscious.
-If the character is accruing \glspl{fatigue} from running or wrestling, they would normally simply pass out at this point, but if they are gaining \glspl{fatigue} swimming or climbing a cliff, the character will almost certainly just die.
-
-\Glspl{fatigue} cannot be mitigated with \gls{fp}. Characters who can luck their way out of being shot by arrows and roasted by dragons can quite easily be punched and dragged away, or collapse after a long run.
-
-\subsection{Gaining Fatigue}
-
-\noindent
-Each round running, climbing, in combat, or otherwise exerting oneself inflicts a \gls{fatigue}.
-Armour also inflicts a number of \glspl{fatigue} equal to its \glsentryname{weight} at the end of each interval.
-
-\Glspl{fatigue} pile up extremely quickly, for all manner of reasons.
-However, players only apply them at the end of the interval.
-Running, fighting, and jumping generate a lot of adrenaline, which keeps any tiredness at bay while the action is on.
-The real danger in \glspl{fatigue} is persistent action, when characters have no chance to recover from a previous battle.
-
-\subsubsection{Special Categories}
-
-\Glspl{fatigue} can represent all manner of problems a character has -- not just tiredness -- and some remain for longer than others.
-
-\paragraph{Poison} can become a nasty drag on a character, and a serious poisoning can prompt even the strongest fighter to return home.
-
-\paragraph{Starvation} is another special case.
-\glspl{fatigue} inflicted from starvation are marked with an `$S$', and each of these points only heal once the character has had a full meal.
-
-\end{multicols}
-
\startcontents[Manoeuvres]
\section{Complications \& Manoeuvres}
diff --git a/main.tex b/main.tex
index 1fc6991043731e18ef04ceb1225f95593ca85308..82cdf765718800112ccf1d5a4900b3aa3226eaaf 100644
--- a/main.tex
+++ b/main.tex
@@ -34,6 +34,8 @@ Keywords={TTRPG,RPG,roleplaying}
\mainmatter
+\include{traits.tex}
+
\include{rules.tex}
\include{combat.tex}
diff --git a/rules.tex b/rules.tex
index ea2d51b2842fccb9fc6b35379380b7a08c51019e..86604e09cf8f088cba304f0dcf3d859144fb0f0d 100644
--- a/rules.tex
+++ b/rules.tex
@@ -3,16 +3,6 @@
\settoggle{bestiarychapter}{true}
-\section{Traits}
-
-\begin{multicols}{2}
-
-\input{config/rules/attributes.tex}
-
-\input{config/rules/skills.tex}
-
-\end{multicols}
-
\section{Basic Actions}
\label{basicaction}
@@ -20,6 +10,7 @@
\newcommand{\TNChart}{
+ \noindent
\begin{tabularx}{\linewidth}{cY}
\textbf{\glsentrytext{tn}} & \textbf{Task} \\\hline
@@ -51,6 +42,7 @@
\subsubsection{Basic Actions}
When \glspl{pc} attempt something dangerous and difficult, the \gls{gm} states the \gls{tn}, and the players try to beat it by rolling $2D6$ plus any bonuses.
+\begin{multicols}{2}
\begin{itemize}
\item
@@ -62,6 +54,13 @@ When \glspl{pc} attempt something dangerous and difficult, the \gls{gm} states t
\end{itemize}
+\columnbreak
+
+\noindent
+\TNChart
+
+\end{multicols}
+
\begin{exampletext}
Hugi listens carefully at the keyhole, trying to figure out what the elves on the other side are plotting.
The \gls{tn} is 10, and he matches it exactly.
@@ -75,10 +74,6 @@ When \glspl{pc} attempt something dangerous and difficult, the \gls{gm} states t
\end{exampletext}
-\sidebox{
- \TNChart
-}
-
A basic action is performed by rolling $2D6$ equal or higher than the \gls{tn} for the action.
The more difficult the action, the higher the \gls{tn}.
Players add their character's Attribute and \gls{skill} to the roll.
@@ -247,19 +242,17 @@ Actions cannot be attempted multiple times with rerolls unless the situation has
\begin{multicols}{2}
+We measure weight in broad terms, just in case characters need to lift a wounded companion (or corpse), or try to put thirty shortswords in the backpack.
+
\input{config/rules/weight.tex}
-We measure weight in broad terms.
-Characters have a \glsentryname{weight} equal to their \glspl{hp}, so elves tend to have 5, while humans tend to have a \gls{weight} of 7.
Items work similarly, with \gls{weight} between -4 (for very light items), through 11 (for wardrobes, carts, and boulders), and so on.
-
-Characters can carry items with a maximum \glsentryname{weight} of their Strength Bonus plus 6, so a man with 7 \gls{hp} could only be carried with a Strength Bonus of +1 or greater.
Depending upon the circumstances, the \gls{gm} may allow heavier objects to be dragged or rolled.
Items carried in only one hand count as having +2 to the \gls{weight}, so hefting a battle axe in only one hand would mean it has an effective \gls{weight} of 4.
+\subsubsection{Encumbrance}
\index{Encumbrance}
-\paragraph{Encumbrance}
happens whenever characters pick up something with a \gls{weight} greater than their Strength.
It inflicts a penalty to Speed, which means slower movement when running, and fewer \glspl{ap} in combat.
Characters also receive one \gls{fatigue} at the end of each \gls{interval} for each level of Encumbrance.
@@ -269,6 +262,8 @@ They can, however, drag items with up to a \gls{weight} of up to 6 points above
\end{multicols}
+
+
\section{Time \& Space}
\begin{multicols}{2}
diff --git a/traits.tex b/traits.tex
new file mode 100644
index 0000000000000000000000000000000000000000..ee6be0785454df70419a9e56918f5f27c44e35ac
--- /dev/null
+++ b/traits.tex
@@ -0,0 +1,773 @@
+\chapter{Measurements}
+\index{Traits}
+
+\section{Attributes}
+\label{randomAttributes}
+
+\begin{multicols}{2}
+
+\noindent
+Attributes generally range from -3 to +3, but these ranges vary by race.
+Humans have an extra +1 Strength Bonus, so their Strength Bonus range is -2 to +4; meanwhile gnomes have a Strength bonus of -5 to +1, with an average of -2, so an average gnome has about the muscle-power of a sickly human, and the strongest of gnomes could only hope to reach the strength of the average human.
+
+\subsection{Body Attributes}
+\index{Body Attributes}
+\index{Physical Attributes}
+
+These are the Attributes determined wholly by the character's body.
+Humans and gnolls tend to excel here, where elves and gnomes are smaller, more delicate creatures.
+Monsters, beasts and stranger creatures are all described with these three Body~Attributes.
+
+\settoggle{examplecharacter}{false}
+
+\subsubsection[Strength]{Strength \hint{muscle, brawn, toughness, height}}
+
+Strength represents a character's muscles -- their ability to endure, to take damage, lift heavy objects, march for long distances and to wield heavy weapons without penalty.
+
+\subsubsection[Dexterity]{Dexterity \hint{grace, co\"ordination, balance}}
+
+Dexterity represents someone's hand-eye coordination and natural grace.
+It's used to attack, parry, block and also to aim projectile weapons.
+It is slightly less visible than the other Body Attributes, but can still be seen as people are moving, especially when movement becomes difficult, as when hopping across challenging and changeable terrain.
+
+\subsubsection[Speed]{Speed \hint{velocity, tendons, vim}}
+
+Speed represents a character's movement, how fast they attack, how often they can attack and how quickly they can run.
+Since it allows characters to flee dangerous situations, a group can be held back by its slowest member.
+
+A low Speed Bonus in a weak person might simply represent small muscles, while a low Speed Bonus in someone with an excellent Strength Bonus might mean the character is particularly fat.
+Speed might also be used in situations where a character's muscle to weight ratio are important, such as when climbing up a cliff or holding onto a ledge for a prolonged period of time.
+
+\subsection{Mind Attributes}
+
+\index{Mind Attributes}
+Mind Attributes determine the character's personality and how adept they are with thought-based Skills such as Academics. It is also the basis of a lot of magical ability and defences against magical abilities.
+
+\subsubsection[Intelligence]{Intelligence \hint{memory, logic, tenacity, cunning}}
+
+Intelligent characters understand ideas, remember, well and always come prepared.
+They find their own way home and pick up new languages fluidly.
+Intelligence also covers artistic endeavours and a multitude of craftsmanship, whether composing songs or forging armour, picturing the finished product ahead of time will take brains.
+
+\subsubsection[Wits]{Wits \hint{alacrity, levity, attention, acumen}}
+
+Where intelligence represents how well a character thinks, Wits just tells you how fast they think.
+The character's ability to observe, to tell enemy from friend, to spot people hiding in the bushes, to notice an off taste in that poisoned casserole or to just spot the perfect joke for the occasion are all covered under Wits.
+Wits is also the primary Attribute for resisting magical enchantments and spotting illusions.
+Wits is the only Mind Attribute available to animals.
+
+\subsubsection[Charisma]{Charisma \hint{magnetism, gravitas, glamour, friendliness, symmetry}}
+
+Finally, a character's ability to speak with people, make friends, speak convincingly, lead a group or barter for cheaper goods are all covered under Charisma.
+Charisma also covers characters' luck, and therefore some measure of their ability to avoid being damaged, because the gods seem to love a chancer.
+
+\end{multicols}
+
+
+\section{Skills}
+
+\index{Skills}
+
+\begin{multicols}{2}
+
+
+\begin{figure*}[t]
+
+\begin{tcolorbox}[
+ tabularx={>{\small}c||>{\small}X|>{\small}X|>{\small}X|>{\small}X|>{\small}X|>{\small}X},
+ ornamented,
+ top=10pt,
+ bottom=10pt
+ ]
+\tiny\raggedright
+
+
+& Strength & Dexterity & Speed & Intelligence & Wits & Charisma \\\hline\hline
+Academics & Orating to a massive crowd & Forgery & Courier Runs & Recalling facts & Resisting an enchantment spell & Storytelling \\\hline
+Athletics & Lifting heavy loads & Climbing & Sprinting & Finding the easiest route to climb & Identifying optimal climbing conditions & Stage acrobatics \\\hline
+Deceit & Intimidation & Feigning an injury & Spreading a rumour across an entire town & Crafting a plausible lie & Making a quick excuse & Implausible lies \\\hline
+Stealth & Hiding in a hay bail & Moving quietly & Escaping into a crowd & Identifying the best hiding spot & Quickly hiding & Pretending to be anther guest at the ball \\\hline
+Vigilance & Keeping watch all night & Feeling for an exit in the dark & Searching a full forest for a particular tree & Investigating a crime scene & Spotting an illusion spell & Finding the best con target at a banquet \\
+Wyldcrafting & Wrestling a~boar & Untying a~horse's bridle & Fleeing a stampede & Planning a new, hidden trail & Foraging for a quick meal & Selling vegetables \\\hline
+
+\end{tcolorbox}
+
+\end{figure*}
+
+\noindent
+Skills define what a character does with most of their time -- what they are practised in.
+They are always paired with an Attribute to give a bonus to rolls.
+We'll go over how which Skills are available below.
+For now, just jot down a few of the Skills you think your character should have so you can see how they work with the basic actions in the next chapter.
+A basic Skill grants a +1 bonus to actions where it is used.
+This is the level of a very basic worker in that field -- those just finishing an apprenticeship in Crafts would have the basic Skill level.
+Advanced Skills are those with a +2 bonus, indicating an established member of the field.
+Vigilance +2 might indicate a very shifty and paranoid person, while Athletics +2 would mean the character is persistently practising new athletic feats.
+Finally, experts with a score of +3 are very rare.
+A +3 bonus to Stealth indicates someone who has rare insights and keen instincts when it comes to going unnoticed, while someone with mastery of the Empathy Skill could talk a beggar into giving their hat away.
+
+For examples of skill use, take a look at the Skill Matrix overleaf. Notice that each Skill represents very different abilities when paired with different Attributes.
+We use Vigilance for both investigation and to remain watchful throughout a long night.
+An elf with Intelligence +2 would have a total bonus of +4 when investigating a crime scene, but if the same elf had Strength -2, their total bonus for remaining watchful throughout a long night would be 0.
+
+Many pairings of an Attribute plus Skill will not come up very often, but you should think of each likely pairing as an individual talent.
+For example, a character with a bonus to Academics and Vigilance has individual bonuses for \textit{forgery}, \textit{recall}, \textit{resisting enchantments}, \textit{storytelling}, \textit{keeping watch}, \textit{investigation}, and \textit{spotting illusions}.
+It's only two Skills on the sheet, but that's seven different ratings the character has.
+
+For more detailed examples, see page \pageref{skill_uses}.
+
+\label{skills}
+\subsection{The List}
+
+Most Skills allow people to perform a range of functions depending upon which Attribute it is paired with. A few examples are given with the list below.
+
+The Skills here are examples, so this is not a complete list.
+If you want Skills not listed, just run them by the \gls{gm} and discuss what kinds of tasks they cover.
+When thinking up a new Skill, try to think about how it would work with each Attribute.
+
+\subsection{Academics}
+
+The Academics Skill covers a love of learning facts, many of which can be useful.
+Academics study history, architecture, local politics, literature, and (very commonly) how to study more.
+This `study of study', can involve reading, mnemonics, and teaching.
+
+\sidebox{
+ \begin{tabularx}{\linewidth}{Yc}
+
+ \hline
+ \textbf{\glsentrytext{tn}} & \textbf{Question} \\\hline
+
+ 7 & Simple \\
+
+ 10 & Standard \\
+
+ 13 & Obscure \\
+
+ 15 & Secret \\
+
+ 17 & Dangerous \\
+
+ \end{tabularx}
+
+}
+
+Characters without any levels in Academics are always illiterate, but those \emph{with} some Academics Skill could also be illiterate.
+Various shamans practice memorizing long texts and generally consider books to be a dimwit's crutch.
+
+Academics might be mixed with Charisma for storytelling, Wits to pull out just the right information, Intelligence to write well, or even Strength for a loud speech.
+
+\begin{exampletext}
+
+ Shane wished every one of his companions dead.
+ He could cast a spell to kill them, then return with the dryad to her\ldots.
+
+ Shane blinked in confusion.
+ His companions had done nothing, but he wished them dead -- hardly the definition of justice!
+ He wanted to return with this strange creature, commonly known for eating humans.
+ But he \emph{loved her}, very deeply.
+
+ Hands raised, magical energy crackled throughout the trees, and the dryad found herself pinned to the ground by his Force spell.
+ Most of his companions remained under her spell, Abe could never pass up an opportunity to best a foe in battle.
+ His axe came down, her head fell off, and the rest (still under her spell), began to wail with grief.
+
+ Shane just chuckled, and waited for the spell to wear off.
+ Apparently a lifetime of thinking in abstractions really did have real-world applications.
+
+\end{exampletext}
+
+\subsection{Athletics}
+
+This covers all manner of fancy movements, from somersaults and rolling to climbing and circus skills.
+It might be paired with Dexterity when a character is attempting to roll under then leap over tables or otherwise navigate uneven terrain.
+For flat-out sprinting, the Speed Attribute is always preferred, while Strength is primary when characters want to throw cannon balls.
+
+Many of the longest-surviving \glspl{guard} find this Skill invaluable.
+Of course, nobody can hope to outrun a giant arachnid, but not being the slowest member of your group sorts most issues.
+
+\begin{figure*}[b!]
+
+ \begin{nametable}[l|X]{Craft Requirements}
+
+ Academics & Books, scrolls, and bookcases. \\
+
+ Caving & Rope, carts, pulleys, and alcohol lanterns. \\
+
+ Combat & Making swords, armour, scabbards, maces, and polearms. \\
+
+ Empathy & Jewellery, fancy clothing, and paints. \\
+
+ Deceit & Disguises. \\
+
+ Medicine & Bandages, casts, and fake eyes. \\
+
+ Performance & Instruments, auditoriums, and theatres. \\
+
+ Projectiles & Bows, crossbows, arrows, quivers, and bolts. \\
+
+ Seafaring & Boats, sails, rope, and anchors. \\
+
+ Wyldcrafting & Fences, rope, houses, blankets, practical clothing and saddles. \\
+
+ \end{nametable}
+\end{figure*}
+
+\begin{exampletext}
+ Climbing the mansion's ivy-straddled walls wouldn't challenge any child of the streets, but getting the crew up required real understanding.
+ Jason looked at the latch on the rotten shutters -- it wouldn't hold a fat gnome, never mind the mad thug who'd joined the revolution, apparently just to crack skulls.
+
+ He climbed a little further, and found an impenetrable window.
+ A bronze mesh, filled with glass, hard set into the wall with deep nails.
+ Nothing could get in but enough Sunlight to feed the little potted plans on the inner window.
+ He took out his chisel, rested his elbows on the window's tiny sill, rummaged his foot along the ivy to find the best purchase, and pulled the hammer from his tool-belt.
+
+ A tiny shattering noise went out as he punctured a glass piece at the bottom, then another.
+ Holding his tools by their head, he stuck in the handles to grab a plant by the pot's base, and manoeuvre it to cover the smashed glass.
+
+ The room had a small bed and toys lying around.
+ If anyone noticed the smashed glass, they would accuse the child of covering up some mess they had made.
+
+ With his work done, he dropped the tools, letting them land in the soft earth below with the tiniest thunk, and spread his weight across different ivy strands once more, and climbed down the building's various floors.
+
+ Collecting his tools on the ground he began walking home, and planned the equipment for the night -- one knotted rope to tie through the openings in the bronze grate while the child slept, and a saw to cut through the rotten window-latch.
+ After that, everyone would follow up the rope without issue.
+\end{exampletext}
+
+
+\subsection{Caving}
+
+Caving includes navigation, foraging, building basic structures, and some understanding of the typical plants and beast found within caves.
+Just as most humans understand some basic Wyldcrafting, almost all dwarves and gnomes know a little of the Caving Skill.
+
+Those with a poor understanding of caves can make foolish mistakes, like building a fire inside to stay warm, or simply not inspecting a wall's integrity before starting a journey.
+
+Cavers share a certain overlap with survivalists -- both know a lot about woodspies, although they can behave so differently in the separate environments that they sometimes seem like different creatures.
+
+Specialized members of the \gls{guard} often take this Skill, especially in the Shale, where so many nasty creatures retreat into caverns after stealing sheep.
+
+\begin{exampletext}
+
+ ``And where do you think you're going, wearing that elf-getup?''
+
+ ``It's not elvish, it's my Summer wardrobe'', said the alchemist.
+ ``I don't like heavy armour -- I can use a magic shield''.
+
+ ``And will this magic shield protect you from the cold down there?
+ And what the hell are \emph{you} wearing?''
+
+ ``Full plate armour'', he smiled proudly.
+ ``I thought dwarves invented plate armour''.
+
+ ``Correct, but we invented it to protect perimeters, not to invade warrens.
+ Can you fit through a goblin-sized tunnel in that?
+ Will it make a noise when we try to creep up on any sentries?
+ Will you be able to see the ceiling at \emph{all times}?
+ And what the hell are you carrying?''
+
+ ``You don't use torches underground?
+ I don't know about dwarves, but humans need light to see.''
+
+ ``And do you need air?
+ Because if we light two of those in a narrow passage and don't get out within five minutes, we'll be rolling around, giggling like a bunch of juvenile princesses.''
+
+ They all laughed.
+ Apparently hypoxia was some kind of joke to these idiots.
+ The dwarf just sighed.
+
+\end{exampletext}
+
+\subsection{Craft}
+
+The Craft Skill allows players to make and fix things, and occasionally break things.
+Designing new equipment requires an Intelligence roll, while making them requires Dexterity.
+Strength could even be used to govern making simple things (such as a make-shift shelter) with unyielding materials such as green wood.
+
+To craft an item used with another Skill, the crafter requires at least 1 level in that Skill.
+The level of the Skill does not matter.
+Knowing how to bind a book only requires someone to roughly know how a book functions, they do not need to also write great literature.
+
+Similarly, someone who cannot wield a sword properly cannot craft a functional weapon, but if they have even a single level in the Combat Skill, they can craft any weapon they have seen.
+Using moulds or other pre-set designing materials allows the character to perform the Craft roll as a Resting Action (see page \pageref{restingactions}) and may provide a bonus to the roll depending upon the quality of tools available.
+
+\begin{figure*}[b!]
+ \begin{boxtext}[title=Rolling with Bad Stats]
+
+ If you find you've rolled up a particularly bad character, don't worry too much -- the \glspl{xp} players receive will even out differing character stats before long.
+ If that sounds a little suspicious, just keep your \glspl{xp} to yourself for a while -- remember that players, not characters, keep \glspl{xp}, so you can hold onto what you have earned, then introduce secondary characters with stories (see page \pageref{stories}).
+ If you end up with enough \glspl{xp} to improve your character to the point you're happy, then you can proceed.
+ If the poor stats mean your character dies a grizzly death in session 2, then no harm done -- just pull any character that the party has introduced already and add all the \glspl{xp} you've accumulated so far.
+ See page \pageref{pcdeath} for more information on \gls{pc} death.
+
+ \end{boxtext}
+\end{figure*}
+
+\subsection{Deceit}
+
+Someone proficient at deception can make others see white as black by sheer confidence. It is often paired with Charisma when creating such lies. At other times, when a quick excuse is needed after a character has been caught with their hand in someone else's pockets, the Wits Attribute can be used to get out of trouble. Complicated lies, having to do with a long series of events or where a character wants to make someone hopelessly confused about the situation, might use one's Intelligence Bonus.
+
+The Deceit Skill does not necessarily have to convey lies -- it deals with situations that hinge on emphasis without care for truth.
+The Strength Bonus might also be used to intimidate people, whether the character's intentions are in fact vicious or not.
+
+\begin{exampletext}
+ Sindon and Marley listened with horror as the guards crashed into the first room in the hallway.
+
+ ``We're dead.
+ We're fucking dead, Sin.
+ There's five waiting outside on horses.
+ Let me check the chimney\ldots no it's big at the bottom, but gets narrow above.''
+
+ ``So you can stand inside?'', Sindon asked as the guards crashed into the room next door, grabbing the guests to examine their faces for signs of polymorphing.
+
+ ``Stand up?
+ Sure.
+ Move up?
+ No.
+ It's a dead fucking end we're fucking dead, Sin.''
+
+ Sindon's eyes lit up as an idea possessed him.
+
+ ``Stand here!
+ Pull your hood over your head.
+ Hold my wrist hard and tell the guards your want the bounty on my head.
+ When you see a light, cover your eyes, as usual, then jump up the chimney as quick as you can.''
+
+ ``What's the plan, Sin?
+ I don't understand''
+
+ The guard crashed through the door.
+
+ ``I, uh\ldots
+ I want the bounty'', Marley mumbled weakly.
+
+ Sindon looke dramatically at Marley's hooded face and sneered, ``you are nothing but old soot!'', and threw his spare hand out to summon the light.
+
+ The guards averted their eyes, and clamped together, blocking the door.
+
+ ``Where did the man go?'', the first guard asked as debris from the fireplace filled the room like a snowstorm.
+
+ ``He is nothing but soot.
+ All of you!
+ You are all\ldots''
+ Sindon raised both hands as if beginning a mighty spell.
+
+ ``NOTHING BUT SOOT!''
+
+ The guards jumped back out the door.
+ They knew spell casters had to see people to cast a spell on them.
+ They did not know that elven magic cannot transform people into inanimate material.
+
+ ``Come on, Marley.
+ We should go quickly, before they realize my spells wouldn't hurt a fly.''
+
+\end{exampletext}
+
+\subsection{Empathy}
+
+The art of understanding people is practised by kind souls as well as malicious.
+When paired with Charisma it forms a means of getting people to want things -- or stop wanting them; most often this takes the form of asking someone for help.
+It is used when characters want a price lowered, or are hoping to get someone to keep the bar open.
+If, however, the persuasive arguments are not concerned with making someone feel for the character but with the cold hard facts, the Intelligence Attribute is preferred.
+This might be used to convince someone not to go to war with a neighbouring nation or show how farming more land is not in their own best interest.
+
+Commonly, Empathy is used to spot lies when paired with Wits.
+Humans are famously bad at this, resulting in wildfires of bogus rumours around human communities, while it can be very difficult to lie to elves.
+
+Calming animals very often requires this kind of insight, although animals have very little care how `friendly', someone seems to other people.
+Empathy rolls to calm or predict animals typically use the Intelligence Attribute.
+
+\begin{exampletext}
+ Nine or ten young men.
+ Eleven or twelve eligible young ladies.
+ One elf, polymorphed into a young noble.
+
+ Dorian requested a dance, and complemented the young lady's style.
+ It wasn't her.
+ She was strong, but hid her strength well.
+
+ The second was clumsy -- she didn't know the dance.
+ She repeatedly looked up at him with a little flecks of embarrassment.
+
+ The third was disinterested, but still trying to lead the dance, but hadn't the muscle to properly telegraph her movements.
+
+ Bingo.
+\end{exampletext}
+
+\subsection{Larceny}
+
+Larceny is generally mixed with Dexterity for picking pockets and juggling, or Intelligence to pick a lock.
+It might also be used with Wits to spot a rich pocket to pick, or with Charisma to dazzle someone with a magic trick.
+Characters attempting to spot slight of hand will use Wits + Vigilance.
+
+\begin{exampletext}
+ ``I don't want to get swindled'', she said.
+ ``Of course I understand that magical items can't be sold easily, but I still think I should get a fair price''.
+
+ ``No I know, I understand, the price isn't the issue, we just need to confirm we can use it.''
+
+ ``\ldots okay, the magic words are \ldots''
+
+ She whispered into his ear, he held the talisman aloft, he spoke the words, and a ball of raging fire surged out, nearly hitting one of his companions.
+
+ A knock came at the door.
+
+ ``Everything alright in there?''
+
+ ``Fine!
+ All good, barkeep!
+ Just\ldots knocked over a candle, we're picking it up, we're fine in here!''
+
+ ``Well it works fine'', he grinned.
+
+ ``We'll contact you when we know what price to give you'', and he put the amulet in his pocket.
+
+ ``This one has a shorter activation'', she said, producing an identical amulet, ``but I'm keeping for a high bidder, perhaps forty \glsentrylongpl{gp}''.
+ ``I'll give you that when I get\ldots thirty'', and put out her hand.
+
+ Reluctantly, he counted out some coins, then returned to his smile as he admired the amulet in his hands.
+
+ She left immediately, also smiling.
+ When the flames roll out, nobody can really tell where they come from\ldots
+\end{exampletext}
+
+\subsection{Medicine}
+
+Medicine is a primitive but effective art, regrettably full of nonsense and superstition, but mandatory when it comes to keeping someone with a serious wound alive.
+The Wits Attribute will allow someone to quickly patch up a bleeding wound, cutting or reducing the number of \glspl{fatigue} the bleeding character would otherwise have received.%
+\footnote{We cover \glspl{fatigue} later, on page \pageref{fatigue}.}
+Intelligence is used for creating poisons, or healing the effects of a bad meal.
+
+A sufficiently bad roll can easily inflict damage on a patient.
+
+\begin{exampletext}
+ ``Blood-letting doesn't work on elves'', he protested.
+ ``We need all our blood to work''.
+
+ ``Not the bad blood'', she smiled.
+ ``If you get an injury and fill up with `angry~blood' when the second moon is above those three stars you'll catch a fever, now sit still.''
+\end{exampletext}
+
+\subsection{Performance}
+
+This skill covers every type of instrument, poetry and evocative storytelling. While academics might tell detailed stories which serve to persuade people of things, they are not nearly so entertaining as the dramatic stories told by a true performer. Performance covers dramatic acting, though Deceit still covers any real-world performances.
+
+This will often be paired with Charisma when a performer wants to give off an entertaining performance. More technical pieces might require Dexterity instead. Performers wanting to create new poems, songs or the like add their Intelligence Attribute instead.
+
+\begin{exampletext}
+ The elf looked sad.
+ He had played for three hours, and he thought he had sung well.
+ The notes were crystal-clear, his fingers delicately pulled twelve notes every breath he took.
+ His songs had made the nobles who hosted the troupe cry, but here in the market the crowd remained three beggars and a dog.
+
+ Ruth smiled at her companion's incompetence.
+ He still didn't really understand humans.
+
+ Ruth pulled all the thick smells of the marketplace into her lungs and began.
+
+ ``Hoo-rah, up she rises!'',
+
+ (she beckoned the elf to strum along)
+
+ ``Hoo-rah, \emph{up} she rises!'',
+
+ (she mimed to the elf to thrash the strings harder)
+
+ ``Hoo-RAH, up she \emph{rises}!'',
+
+ And half the market -- already her crowd -- sang the next line in response.
+
+\end{exampletext}
+
+\subsection{Seafaring}
+
+Sailors don't just sail, they typically know how to fish, coordinate reefs, work with others on larger boats, mend masts, sails and nets, and generally do a lot of sewing.
+
+Seafaring also allows characters to swim against strong currents, and hold their breath underwater for extended periods.
+Seafaring pairs with Intelligence when planning a route, Strength when trying to control a sail in a storm, Dexterity when tacking, and Wits when reacting to a sudden change of weather.
+
+\begin{exampletext}
+ The assassin finished his finest piece.
+ It had cost him two whole \glsentrylongpl{gp} to gather the wool, paper, and wax, and have the Paper Guild fashion the white squares.
+ It took him \emph{days} to sew everything together.
+
+ The assassin tested the sails on a warm, sunny day.
+ They billowed fine, and looked perfect.
+
+ And tomorrow, he would sell them for a good price to the captain of the Black Seal -- a proud captain, but a cruel and mean man.
+ The captain would demand they go up, his men (who knew better than to argue with him, or question his judgement) would put up the sails, and off they would go.
+ And the sails should hold, at least till they had gone out a day.
+
+ Once the sail went up, he would work on their anchor's chain.
+ The captain (and his crew) didn't stand a chance.
+
+ The assassin relieved the desk of the weight of his large stomach, greeted the shop-keeper with a friendly wave, and asked cheerily if the shop intended to purchase and mend old sales when they sell new ones.
+
+ ``Of course -- we can always salvage some material, but just give them a little discount.''
+
+ The assassin had his trophy.
+ The ship's old sale would identify it by the weave, the holes, and little adverts woven into the edges, along with the date.
+
+\end{exampletext}
+
+\subsection{Stealth}
+
+This Skill can be paired with a variety of Attributes.
+Remaining quiet while sneaking through an area could call for a Dexterity and Sneak check while figuring out where in the shadows to best hide could use Intelligence.
+Intelligence might also be used to create a convincing disguise.
+Fitting into a noble soir\'{e}e without an invite and only semi-decent attire could use Charisma.
+In almost all cases, opponents resist with Wits + Vigilance to spot the character or spot the ruse.
+
+\begin{exampletext}
+ Samuel would be breathing down the man's neck if the man in question were not wearing such a thick hood.
+ The man's left foot sloshed into the snow, and Samuel placed his foot into left footprint the man had left.
+
+ Left, right, left\ldots
+
+ The man in the hood looked right then left; Samuel leaned left then right.
+
+ Left, right, left, right, and the keep stood ahead, archers strolling along the wall hailed the man in the hood.
+ He hailed back, and Samuel hailed too.
+
+ \emph{Right}, left, and the man in the hood wrapped on the door.
+ Samuel stayed still.
+
+ The doorman opened the door as the man in the hood walked in.
+
+ The man in the hood said ``hello''.
+
+ The doorman said ``hello''.
+
+ Samuel smiled, bowed his head a little, and gave a little salute.
+
+ ``Hi'', said the doorman.
+
+ ``Hello'', said the man taking off his hood, ``I need to see the captain immediately''.
+
+ The doorman looked at Samuel, fiddling with the little candle, and asked what on earth he was doing, then told the hoodless man which direction to turn.
+
+ ``My father always told me, when it comes to the subject of candles, that should a man wish to be frugal with his usage, he need only apply a rare yet useful trick\ldots''
+
+ The hoodless man, already bored, left.
+
+ ``I should follow him'', said Samuel.
+\end{exampletext}
+
+\subsection{Tactics}
+
+Tactics allows people to plan concise victories.
+The utility quickly fades when battles become drawn-out and unpredictable, but the initial benefits from going into battle with a good plan are great.
+It can be used to understand why people are employing apparently odd battle-tactics, or uses Charisma to impress people concerning one's military ability.
+
+When going into combat, someone who has time to prepare for a battle by running through instructions with receptive troops gains a bonus to their \glspl{ap} equal to their Tactics Skill.
+This bonus only ever counts for the first \gls{round}.
+
+Good tactical knowledge can allow one to stay alive often longer than having an extra soldier in the team.
+The beasts of Fenestra may be fierce, but if one understands how to approach, trap, and corner them properly, battles can become far more reliable than simply charging into battle, axe-swinging.
+
+\begin{exampletext}
+
+ ``\ldots I realize this unfortunate news comes as a shock.
+ Disloyalty may be the worst of all crimes.''
+
+ ``Did you get all that?'', the Captain asked.
+
+ ``Yes, sir'', said the lieutenant.
+
+ ``Yours eternally, \ldots Captain Oscar''
+
+ ``Let me see what you've written.
+ Okay\ldots yes\ldots
+ Is this meant be my name at the end?''
+
+ ``Signatures should look like that, sir, so it looks official.''
+
+ ``Do the double seaman's knot.
+ I don't want anyone to even think he can open this without clearly breaking the seal upon the king's messages.''
+
+ ``Yes, sir.
+ Double seaman's knot, sir''
+
+ The lieutenant cut the paper's edge with a knife, punctured it in the centre, rolled it up, and looped the stray paper-edges through the hole.
+ Nobody could open the scroll without breaking the paper.
+
+ The lieutenant applied the wax, and handed it to his captain to push his seal into the wax.
+
+ ``Now run along, and send it to the messenger-crew, quick man!''
+
+ ``Yes sir'', and out the door he went, pressing the scroll into a button on his chest.
+ The wax seal would be his.
+ The handwriting, also his.
+
+ He would be the natural successor to the post of `captain'.
+ That left only had one more thing to take care of\ldots
+
+\end{exampletext}
+
+\subsection{Vigilance}
+
+This is the flip side of a number of Skill related to hiding one's doings or presence.
+It is practised by guards or the eternally paranoid.
+It is most often rolled with Wits in order to spot people sneaking about, perhaps fingering a purse or sneaking up behind a potential victim to stab them in the back.
+One might also add this Skill to Intelligence to spot important facts written on dungeon walls, or use Strength + Vigilance in order to stay up late, despite being laden with Fatigue, in order to remain alert.
+
+\ifodd\value{r4}
+\begin{exampletext}
+ Sandjel had raided a local tomb, but found it already ransacked, and was down to her last \glsentrylong{gp}.
+ She examined the change from the bar.
+ The \glsentrylongpl{sp} came from the time of Dalyus Rex -- making them at least two centuries old -- but they looked nearly new.
+
+ It had to be the tomb raiders who had cleared out the nearby grave before she arrived.
+
+ She hopped back to the bar for another pint.
+
+ ``Another \glsentrylong{gp}!'',
+ the barman exclaimed.
+
+ ``I can't keep giving you change for this massive coinage!''.
+
+ ``Sorry'',
+ she shrugged, as the barman handed over yet another shiny coin with the Rex's.
+
+ They were in here somewhere\ldots
+
+\end{exampletext}
+
+\else
+
+\begin{exampletext}
+ ``The beer arrived, fizzing but not frothing, and no head.
+ Everyone in the troupe downed their drink but Ratfix.
+ He stared, perturbed, mulling the problem, without a drink.
+
+ Soon after he mentioned to the rest,
+ ``I think we may have been drugged, and not in the way we paid for.''
+\end{exampletext}
+\fi
+
+\subsection{Wyldcrafting}
+
+This skill covers everything from the initial forays into the wilderness, to fully cultivated land.
+A wyldcrafter can navigate, track animals and other humanoids, and forage.
+In calmer settings, wyldcrafting covers all the activities involved in farming -- from taming animals, and selecting the best soil to plant carrots.
+
+Wyldcrafting also covers creating basic structures, such as fences, or making fires that can burn all night with just a few logs.
+These typically use the Intelligence Attributes.
+
+Wyldcrafters can track people and prey throughout any standard above-ground terrain (typically using Wits), although humanoid quarry will often try to cover their tracks with Intelligence + Stealth.
+
+\begin{exampletext}
+ ``It was three years ago, not far here, ten brigands came out of the snow, all carrying longbows.
+ We were wounded from the beast which we had fought just earlier that day, but we did not let our wounds show, and demanded that the brigands\ldots''
+
+ ``During a snowstorm?'', one of the farmers asked.
+
+ ``No, it wasn't a snowstorm, but the cold was bad, and so I said to them\ldots''
+
+ ``Nah, it was a snowstorm'', the farmer insisted.
+
+ Just after the blue moon, you said it was.
+ Three days of snowstorm.
+ Nobody was going anywhere, certainly not these `brigands', and the beasts you fought should have been hibernating.
+
+ ``Well'', the young guard said with less gusto.
+ ``Maybe it was in a different village''.
+
+\end{exampletext}
+
+\end{multicols}
+
+\section{\glsentrylongpl{fp}}
+\label{fate_points}
+\index{Fate Points}
+
+\begin{multicols}{2}
+
+\noindent
+At this point you might be wondering how anyone is going to survive past their first battle.
+6 or 7 \glspl{hp} is not a lot when the Damage is often $2D6$ or higher.
+\Glsentryfullpl{fp} provide a small safety-net to \glspl{pc}, at least for a little while.
+
+\input{config/rules/fate.tex}
+
+Being fated by the gods, the \glspl{pc} have some extra chances to live another day, so they begin each mission with their full allotment of \glspl{fp}.
+And since the gods love some more than others, the Charisma Bonus modifies the total.
+
+\Glspl{npc} can also store \glspl{fp}, but (unlike the \glspl{pc}), they start with none.
+However, if \pgls{npc} returns for another scene, they gain $1D6$ \glspl{fp} each time.%
+
+\Glsentrylongpl{fp} create a flow throughout the game's Damage, as \glspl{pc} can lose \glspl{fp} and \glspl{hp}, then regenerate their \glspl{fp}, and continue fighting with most of their effective `hit points' still available.
+For example, someone with 7 \glspl{hp} and 7 \glspl{fp} would have a total of 14.
+After a taxing battle, they might lose all \glspl{fp} and 4 \glspl{hp}.
+But after some \glspl{interval} of rest, they regain all \glspl{fp}, leaving them with 7 again; this places the \gls{pc} 10 Damage away from defeat.
+
+\end{multicols}
+
+\section{Fatigue}
+
+\begin{multicols}{2}
+
+\label{fatigue}
+\index{Fatigue}
+
+\noindent
+Fighting, running and swimming can really take it out of you, especially when wearing heavy armour.
+Characters gain \glspl{fatigue} for exerting themselves, and if they accrue too many then they will quickly start to become ineffective.
+
+\input{config/rules/fatigue.tex}
+
+\Glspl{fp} might inflict penalties because the character has 6 \glspl{hp} but gains a total of 8 \glspl{fatigue}, which results in a -2 penalty to all actions.
+
+\begin{boxtable}[lllllllllX]
+
+ \multicolumn{10}{l}{6/6 \Glsentrytext{hp}} \\
+ \Repeat{6}{\statDot & } \Repeat{3}{\statCircle & } \statCircle
+ \\
+ \Repeat{9}{\Square &} \Square
+ \\
+ \multicolumn{10}{l}{\glspl{fatigue}} \\
+ \Repeat{8}{\XBox &} \Square & \Square \\
+ \multicolumn{10}{l}{Penalty: 2} \\
+
+\end{boxtable}
+
+But it might also occur because the character has 4 \glspl{fatigue} and then Damage reduces them to only 2 \glspl{hp}, leaving them with a -2 penalty to all actions yet again.
+
+\begin{boxtable}[lllllllllX]
+
+ \multicolumn{10}{l}{2/6 \Glsentrytext{hp}} \\
+ \Repeat{6}{\statDot & } \Repeat{3}{\statCircle & } \statCircle
+ \\
+ \Repeat{2}{\Square &} \Repeat{4}{\XBox &} \Repeat{3}{\Square &} \Square
+ \\
+ \multicolumn{10}{l}{\glspl{fatigue}} \\
+ \Repeat{4}{\XBox &} \Repeat{5}{\Square &} \Square \\
+ \multicolumn{10}{l}{Penalty: 2} \\
+
+\end{boxtable}
+
+Characters may reach a maximum penalty of -5 due to \glspl{fatigue}, after which they fall unconscious.
+If the character is accruing \glspl{fatigue} from running or wrestling, they would normally simply pass out at this point, but if they are gaining \glspl{fatigue} swimming or climbing a cliff, the character will almost certainly just die.
+
+\Glspl{fatigue} cannot be mitigated with \gls{fp}. Characters who can luck their way out of being shot by arrows and roasted by dragons can quite easily be punched and dragged away, or collapse after a long run.
+
+\subsection{Gaining Fatigue}
+
+\noindent
+Each round running, climbing, in combat, or otherwise exerting oneself inflicts a \gls{fatigue}.
+Armour also inflicts a number of \glspl{fatigue} equal to its \glsentryname{weight} at the end of each interval.
+
+\Glspl{fatigue} pile up extremely quickly, for all manner of reasons.
+However, players only apply them at the end of the interval.
+Running, fighting, and jumping generate a lot of adrenaline, which keeps any tiredness at bay while the action is on.
+The real danger in \glspl{fatigue} is persistent action, when characters have no chance to recover from a previous battle.
+
+\subsubsection{Special Categories}
+
+\Glspl{fatigue} can represent all manner of problems a character has -- not just tiredness -- and some remain for longer than others.
+
+\paragraph{Poison} can become a nasty drag on a character, and a serious poisoning can prompt even the strongest fighter to return home.
+
+\paragraph{Starvation} is another special case.
+\glspl{fatigue} inflicted from starvation are marked with an `$S$', and each of these points only heal once the character has had a full meal.
+
+\end{multicols}
+
+